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Life in Music inspired by Joe Henry


Posts tonen met het label Billy Bragg. Alle posts tonen
Posts tonen met het label Billy Bragg. Alle posts tonen

maandag 11 maart 2019

Rabbit Hole, Rosanne Cash

Rabbit Hole is a song by Rosanne Cash. It is featured on her latest album 'She Remembers Everything.'

She wrote this song for her friends Joe Henry and Billy Bragg.



After a serious operation in 2007, it was a struggle for her to return to the stage. Seeing Joe and Billy perform helped her through it.

She wrote this wonderful song for them. A great song about the power of friendship. Cherish it !



I just want a road that bends
A love that wins
An honest friend
I just want a night of peace
A blessed relief
I want to make you see

That you in your crumpled splendor
When you sing to the farthest rafter
With your big life full of love and laughter
Can pull me up from the rabbit hole

To show me the road that bends
The love that wins
You're an honest friend
And you'll give me that night of peace
Blessed relief
You can make me see

That you with your light and glory
With your old dreams and epic stories
You seal all the darkened doors
And pull me up from the rabbit hole

I just want a road that bends
A love that wins
An honest friend
I'm looking for a night of peace
Blessed relief
You could make me see

That you, with your soldier's honor
You kind man and plainsong scholars
You sound like a million dollars
You pull me up from the rabbit hole 


P.S. : A limited release of the album 'She remembers Everything' features letters exchanged between her and Joe (and a few more)

woensdag 1 augustus 2018

Studio version of the 'Shine a Light' songs.


Hey all,

Well, did I almost choke in my coffee this morning....

I was reading an interview in Hot Press with Gavin Glass, And there I read :

The studio he’s talking about is the rightly-famed Orphan Recordings, where he’s steered a myriad of Irish and international acts. “The Eskies, The Young Folk, The Sprockets, anyone and everyone. My favourite is probably Billy Bragg and Joe Henry. They toured America doing field recordings, Woody Guthrie and Lead Belly songs, but they couldn’t use it so they re-did the whole thing in one day in Orphan, facing each other over two microphones.


Have we all been fooled ?... I couldn't believe it !

What is it, that we are actually hearing on that album? Real field recordings? or a manipulated studio recording?  3 People can answer that question, and I asked 2 of them : Joe himself and Ryan Freeland.

I can now say, that the words in that interview are (not a little bit) misleading. Joe and Billy did indeed record all those songs again in a studio, but the versions on the 'shine a light' album are all really recorded during the trainride.

In fact, the recording in the studio happened near the end of the U.K. leg of the 'shine a light' tour.  That implies that : While Joe and Billy were recording these songs in the studio; the 'shine a light' album was already on sale for months.

So, why make these studiorecordings ?

JH :
It was recorded in case a use presents itself for the songs without the travel noise. 
If and only if....

Today, there are no specific plans on the horizon for those versions. 

Well, now I can close my eyes, finish my coffee, and imagine I'm at a railroad station. Don't you just love that background noise ? 
Greetings,
Stefan

Edit August 2nd : 
Today, apologies have been made towards the artists, and a promise for necessary changes has been done. As for now, the article is not anymore available to everyone, only to subscribed readers. 

zondag 3 december 2017

Life in song, or song in life.



In the days before the Thrum tour started with a 3-day residentie in Durham, several interviews with Joe emerged. Maybe even more than previously, I noticed each time the interest in how these songs saw the face of day, What do they mean? and where do they go?
 While with 'Invisible Hour' everyone wrote about it as a poetic approach towards marriage, with 'Thrum' people seem to be checking if these songs are what they think they are ?

As an intro we receive the story of how the song Hurricane, W Va. ended up on his debut album 'Talk of Heaven'.
We learn that it was a roadsign he, and his brothers, crossed travelling through West Virginia, and that he found it a good title.
“When I wrote that song, I was writing something that I was trying to imagine someone like Johnny Cash might record, just to see if I could,”

How do all these songs form an album ? was a question several journalists asked.
"...At a certain point I’m writing songs and throwing them onto a pile. At some moment I understand that there’s a number of them that are sharing vocabulary, emotional weather and intention. And when I recognize that there are three, four, five songs that are inter-related in a way—sometimes I can articulate how I think they are and sometimes it’s a more instinctive understanding. And then I kind of listen to what I think they need to thrive....(source)"
We know, f.e. that the song 'Believer' and 'The Glorious Dead' where written years prior to releasing 'Thrum', and even performed live on occasions. But 'keep us in song' was written during the first UK leg of the 'Shine a light' tour.

In the end, how we interpret all these songs, is up to us: the audience. But for The album 'Thrum' Joe wanted to clear the air, and state that he did not write them as political songs.

In an interview Jay N. Miller gave the following interpretation to Joe : "Basically, we’d suggest the songs are about fear and uncertainty, and somehow managing to pilot yourself through those hard times and doubts."

JH : "I’d say the songs are about all those things,............I’d be hard pressed to tell you exactly what the songs meant in some cases, but I think fear and trembling is something we are seeing today, as people, and as a nation. The political moment is part of the moment we stand in, but I’ve never written songs to address a political moment. I don’t want that kind of authority. I’m more interested in looking at what does fear and trembling do to us as individuals? How do we abide and continue in times like these?"
"I always want to write about things that challenge us as human beings,” Henry continued. “How we all try to deal with the inevitable, stand in the moment, and abide it, or don’t.....................
Sometimes songs mean different things to different people, so if some people see commentary in these songs, that’s their right.”

I have written down my view on 'Thrum'. But if I had to say it in 1 sentence : I interpret the album as the climb, both we personally and as a society need to do.... Are doing!

Joe told Rob Beyers what the circumstances where, when and how he wrote 'Keep us in song'. I remember verry wel the overall feel in that period. 4 days after he wrote that song, I saw him perform in Portsmouth. It was a period full of worries for all of us. Knowing what I know today, I think those days marked the verry beginning of a Climb Joe, at first personally, had to face, and turn that in getting us all on board to climb.  I am actually relieved that he wasn't alone touring in the UK, but Billy Bragg was right there with him. Both of them turned those shows in perhaps the most important tour you could witness in the UK, maybe even Europe.Today, we are climbing.  We are on our way up !

Me personally I also had to climb, and f.e. music has helped me with that.

2 Years ago, when ISIS attacked Paris's conterchall Bataclan. Fear struck all the way to Brussels. Venue Ancienne Belgique, closed for several days. It is a venue, similar to Bataclan, so there was actual fear. Trixie Whitley opened the doors again. All those dreadful events made that concert, in Belgium, almost symbolic.  Before it actual started, we all sang along with Bob Marley's 'one love'. The emotions in that room, the statement we made there together where of the utmost strength !



BTW, it's the place Joe himself will perform in a few months.


A few months later, Brussels itself got attacked by ISIS at the airport, and on the subway. It was the period Birds of Chicago toured with 'Real Midnight'. Their song on how we have to look out for eachother, together. Their concert, and my converation with them was another step up the ladder.



Seeing Bill and Joe preached the importance of solidarity in Portsmouth helped us all, together !
Hearing Billy Bragg perform in Antwerp a few weeks ago helped us all, together ! 

And hearing the 'Thrum' songs helps us :



Together !

Well, this was supposed to be a round up of some interviews, but I got carried away again... Perhaps I should title this post something like : Life in Song, or song in Life. I don't know...

Greetings,
Stefan.

sources :
www.wvgazettemail.com
www.pastemagazine.com
ipswich.wickedlocal.com
https://joehenryblog.com/

zondag 26 november 2017

Lisa, Billy and a few others...

The Colorist is a Belgian band using more classical instruments together with self-made instruments, toys and other items that make sound.  These are some of Belgian’s finest musicians currently out there. They rarely make their own songs, usually they re-arrange another artist’s catalogue, and perform together with that artist. I remember with their previous project, featuring Emiliana Torrini, I told my friends ‘something extremely beautiful’ was touring in our country. That project resulted in an international tour and a record. Even today, sometimes they still perform it.

For the current project they asked Lisa Hannigan to join them. They reworked songs from her 3 solo albums. Indeed; also Passenger, produced by Joe. The song ‘fall’ she co-wrote with Joe, was another 1 that was performed.
It was again a wonderful show in Antwerp, I saw this week. As high as The Colorist set the bar, they can take the jump. It was, in the words Lisa addressed to the audience, "A musical, fairytale spaceship".
Keep an eye on them, because I heard they will be back on the road in April. If you can, go and see them, and have a wonderful evening.



And then, yesterday, I went to see Billy Bragg perform. Another member of the 'Musical Joe Henry family'. Last year they recorded and toured ‘shine a light’ together.
But let me start with giving Billy’s opening act a deserved place here. Irish folksinger, Paddy Nash, has a wonderful singing voice and brought us songs from his life and dreams, and since he’s opening for Billy Bragg, a little bit on current political and social problems was also presented. I’m sure he won a lot of hearts yesterday.
I need to jump back here a few weeks, because another member of this family came in with a great opening act a few weeks ago. Aimee Mann, who treated us with a great evening, and for my personal nostalgia played several songs from the Magnolia Soundtrack. These songs still stand tall !
But I was writing about opening acts: Jonathan Coulton gave us a humorous view on the world. For example:  check out his song IKEA.
Aimee Mann



Billy Bragg, is a man on a mission! He's traveling around the world, performing to reload his audiences their battery to strive for a better world. The appreciation he gets from the audience, will also surely recharge his.  And so we all help each other, and can make it happen. His mission comes in the form of this tour where he is promoting his album ‘Bridges not walls’. An album with songs he wrote over the last year(s), while he was also touring heavily together with Joe for the 'Shine a light’ songs. Yesterday he mentioned a few times touring and railing with Joe, and how the Current affairs from then, and news reporting about it, affected the concerts from this tour. I have seen 1 of those concerts, (actually: I think, that me and my wife are 1 of the very few Belgians who’ve seen it, if not the only Belgians?). I think I can understand what he was saying there. These words were an intro to Anais Mitchell’s ‘Why we build the wall’, a song that, for me, is turning into an anthem of this era.  It doesn’t loose any power, no matter how many times I’ve heard it.

Billy recharged every battery in the house, and an entire audience went home with a new motivation to be part of more solidarity !
We didn’t want to let Billy end the show, so he came back for a 2nd encore, on the condition that we sang the chorus of ‘A new England’, with which he also saluted Kirsty MacColl, by singing the verse he wrote for her.
An impressive ending, but a little ironic singing those sentences after such an inspiring evening.   But hey,... that song just pushed the battery up to 130%.






woensdag 1 november 2017

Some Thrum songs performed Live

Joe performed yesterday in the Paste-studio. It was streamed live on the internet. He was accompanied by Levon Henry. Me personally, I love Levon's playing more each time I hear him.

Listen to songs 'Climb', 'Believer' and 'The Glorious dead'.
Joe talks a bit about these songs, the Album 'Thrum' and his previous 'shine a light' (together with Billy Bragg).


dinsdag 29 augustus 2017

Americana Fest Award show


AmericanaFest has confirmed the artists who will perform during the awardshow.

Joe Henry & Billy Bragg are among them. They are nominated as 'duo of the year' for their project 'Shine a Light'.

donderdag 24 augustus 2017

The People Sing!

On september 12th the event 'The People Sing!' will take place.

An event To bring to life extraordinary history of ordinary people engaged in struggles for freedom and justice.


It's a gathering that takes place on openingnight of Americanafest 2017. Presented by AmericanaFest, War Memorial Auditorium and Voices of a Peoples History of the U.S
 
Invited by Allison Moorer, Joe is 1 of the participating artists next to Hayes Carll, Rev. Osagyefo Uhuru Sekou, Alice Randall, Teddy Thompson, Otis Taylor, Elizabeth Cook, Shelby Lynne, Blind Boys of Alabama, Rhiannon Giddens, Billy Bragg, Patterson Hood, Mike Cooley, and more. 
 
 
It's not the first time Joe performed for 'Voices of a Peoples History'. In 2014 he performed on their 10th anniversary celebration.
And don't forget that Joe and Billy Bragg are nominated for duo of the year.
 
 
This summer I myself became verry emotional concerning 'ordinary people engaged in struggles for freedom and justice.'
 
I read Flemish Author Stefan Hertmans book 'Oorlog en Terpentijn' (War and Turpetine). Stefan Hertmans his Grandfather was a soldier in the frontlines during the first World War. He wrote down his lifestory. 
I've been taught about the WW's in school, I've seen movies, documentaries, read books, but it's this one that had the biggest confrontation of what it must have been to live in a war. It's a stunning, shocking and heartbreaking book, about how a beautiful person's life has been overthrown by this war.
 
For our Familyholiday we went to flanders fields this year. Everything that I absorbed  on my Holiday lead me to write the following.


Out there in these Flanders Fields….
A generation of young individuals. These men and women, these heroes… Their lives chattered by mightier men, more powerful men who wanted more of the same thing.

A generation of beautiful people, forced to live in a disgusting world….
Everyone has heroes, people you look up to, and dream of grasping just a little spark of their talent. But the people who fought in the great war are part of a higher Heroism. A Heroism of which you do not want to have the littlest part of. I’m pretty sure, that even most of these soldiers in the frontline wished they had a normal youth. Wished they didn’t have to carry afterwards all these ghosts from the past with them.
4 Years in Hell. Without a choice… Wait, … No, they had choices: refuse to fight, and be executed as a traitor, fight and die, or fight and by strange ways of how things go: survive… physically.
4 Years forced in the frontline, by men, behind comfortable desks, who maybe only have seen the trenches when the battle was already done. Trenches they lived in, … Trenches they dug themselves lying down... Because standing up, was an open invitation for a bullet. Day after day after day.... Living between their own human dirt and the rats. No warm food, because the smoke of heating it, would give them away. Only the constant fear, that it could be over the next minute. Day after day after month, after year…
Out there in these Flanders Fields.
With the biggest respect,
Stefan.
 
 

vrijdag 12 mei 2017

Joe and Billy nominated for the Americana Awards 2017

Joe Henry and Billy Bragg, have been nominated for a 2017, Americana Music Award.

Alongside Drive-By Truckers, Marty Stuart & His Fabulous Superlatives and The Lumineers they are nominated for duo of the year.

Already Congratulions on that.

The Award show takes place in Nashville, on September 13, 2017.


dinsdag 18 april 2017

Australian Record Store Day

Joe Henry and Billy Bragg will do an instore set during Record Store Day in Melbourne.

Place to be : The Basement Discs, Melbourne. 

We think it’s looking spectacularly good & of course we are particularly chuffed & humbled by BILLY BRAGG & JOE HENRY agreeing so readily to be a part of our very special day.  Both have done in-stores here separately over the years & quite naturally are huge supporters of all things independent (& record stores in particular) , so it was just so perfect & timely that they happen to be in Melbourne for their shows the weekend of RECORD STORE DAY!!


I Don't have an exact hour for Joe & Billy's set. But I'm sure the store has. ;-)

Greetings,
Stefan

zaterdag 15 april 2017

2017 Summerfestivals




As previously announced : Joe and Billy will perform at the Byron Bluesfest.
Vancouver Folk Music Festival, Canada : 13-16 July  (Performance on the 14th)
 Newport Folk festival ,US : 28-30 July (Performance on the 29th).
Calgary folk fest, Canada : 27-30 July (Performance on the 27th).

new announcement :
Hillside Summer Festival, Guelph Lake Island : 14-16 July (Performance on the 16th)


To be updated... ?



vrijdag 3 februari 2017

Ryan Freeland shines his light !


March 2016, Joe Henry and Billy Bragg boarded the train from Chicago to L.A. and recorded the album, “shine a light, Field recordings from the great American railroad”. They brought us wonderful versions of this true Musical Heritage. But they were not alone on the train. Amongst them, for example, was also Ryan Freeland who recorded the music. You can see him sitting somewhere in the back in the videoclips that were made to promote the album. Ryan is Joe’s longtime collaborator in the recording studio. Without Ryan Freeland, even more so for this album, we would not be able to hear these recordings the way we can hear them today at home. I asked him, if he would like to bring us his story from that trainride, and he generously accepted...

ryanfreeland.com

I was thrilled to be asked to work with Billy Bragg again and, as always, honored to work with my friend Joe Henry.
It was also an interesting challenge to think of a way to bring my love of recording onto a train. I needed to find a way to capture the feel of the train stations, platforms, and compartments while keeping the performances sonically engaging. 

Making a record on a train is completely different than doing it in a studio. They asked Ryan over a month in advance. So now he could start and figure out a way to do it…. 

When I was in high school at Interlochen Arts Academy I recorded a lot of the musician’s college audition tapes. Back then I had a Yamaha cassette four track which I purchased with the help of my folks and money I made from mowing lawns.
I also have always been fascinated with the Lomax field recordings and the fact that he had figured out a way to get a rig that fitted in a car and ran off the car battery. So I was familiar with those recordings and techniques and was intrigued by the idea of doing my modern twist on the idea of field recording. 


The whole rig needed to fit into a case that conformed to airline checked baggage limitations. I had a second case the same size with the custom Latch Lake mic stand they built for me, as well as some cables. That bag was tricky trying to stay under the 50-pound airline weight restrictions. 

I had traveled to New Orleans with a much bigger rig for recording at Alan Toussaint’s house about a year before he died. That rig was very heavy and resulted in about $250 of extra airline checked baggage fees. After that experience I swore I’d try and do my best to keep things within the airline restrictions.
So I tried to keep everything as simple and streamlined as possible so I could get to the spot and be up and running in just over a minute. You can’t believe how long that minute seemed when everyone is looking at you and waiting for you to indicate that you were recording. A simpler rig would have made things much easier on me but I really had this 4 mic idea and wanted to see if I could pull it off given all the space and time restraints. It was a really interesting set of variables and I was really happy with how it turned out.
(1)


Now, the hardest part was figuring out how to record 4 phantom powered ribbon microphones on a laptop all completely powered from batteries. I had recently watched some YouTube clips on the AEA Nuvo series mics and was very impressed. I immediately thought they would be perfect for this project because of their natural musical soundscape, their robustness, and their solid windscreens.
I did a lot of experimenting because of all of the variables and the intense time constraints once we jumped off the train to start recording before they called “all aboard”. Days before we started the trip I went over to Joe’s house with the whole rig and did some test recording... I tested everything at my studio,... at the hotel room the morning we were heading out on the train... And even with all of that : There were problems as soon I tried firing the rig up for the first time once I set it up in the first train station. I had just tested it 30 minutes before !!
I finally got it working but my stress level was an all time high. And then I looked at that beautiful building and heard Billy & Joe singing in my headphones on that first day at Union Station in Chicago. Looking back now, it’s my most wonderful memory from that trip.



videoclip 'Hobo's Lullaby'
 This was a great project to be part of. The most important thing for me was the feeling of comradery I experienced. There’s nothing like being a part of something great and being allowed and trusted to bring the best of yourself to the group.




And so the journey began, … Was it pure concentration and focus, or was he able to enjoy everything he was experiencing ?

There were plenty of times I would look around at the beautiful places we were, listening to two amazing musicians singing great songs and thinking about how lucky I was. 
We could all only listen on headphones one at a time. This made it such a personal and intimate experience. Anytime I looked over to Joe or Billy when they were listening to playbacks back on the train, they would always give me a thumbs up so I knew they were happy.
But most of the time I lived in shear terror that the recording equipment would fail or that the train would leave before I could get my mics packed and back aboard. At one point I almost got run over by a luggage cart, which is not something that usually happens on recording sessions.
 

You know, The thing that made me most aware of how special it was? It was when we got off the train in Austin at the end of the first leg of the trip. We had been this insular group of people living, sleeping, eating, and recording in this very unique way. Once we got off the train, knowing that we would not be getting back on until the next leg started, it was a very odd experience.
I remember being out to dinner that night with a bunch of other people and feeling weird. Once we got back on the train with just us I felt good again. I wasn’t ready to go back to the world outside of the train. I knew then, that it would be a life changing experience. I was doing something I really cared about with people I really cared about.


Promovideo 'shine a light'




Billy and Joe are both monster songwriters and encyclopedias of music over the decades. They live and breath that stuff every day, I live and breath microphones and compressors.






It is indeed a very special project. I stopped calling it the album or tour, because I felt it had grown to something more important. I went to see Billy and Joe’s show in Portsmouth where that became clear to me. I wondered if Ryan felt the same way, if the scale of it all was already in the air during the recordings. Where they aware of the power of these songs ?

I agree. Music has a lot of power! Joe and Billy are great spokespeople for what’s good and what’s bad about their respective countries. Music can be a very effective way to communicate thoughts and ideas. And a great song can change and affect people as much as any other work of art.
But when it comes to projects I work on : I live in a bit of bubble. As an engineer you aren’t usually aware of how the records affect people. Every once in a while, someone will send me a nice note about how much they like something I’ve worked on. But most of the time these albums just get sent out into the world and I’m not very aware of how important (if at all) they are to people.
I will say that I had a powerful experience being part of this album and that’s really the most important thing for me.


Let me assure you Ryan : don’t underestimate the influence of your work. You’re way up there for me, and I think many others also.
Already thank you for this, now a last quick one : studio or fieldrecordings ?


I’ve made recordings I’m really happy with in all sorts of places. 
Aimee Mann’s album 'Lost in Space' was made mostly in my one-bedroom apartment. Ray LaMontagne’s album 'God Willin’ and the Creek Don’t Rise' was made in Ray’s living room. Almost everything I’ve done with Joe Henry over the last decade was done in his basement or versions of my home studio. 
I don’t think the physical space has as much to do with the recording as the people who make the album. It’s really the specific group of individuals coming together to put their passion, heart, and soul into something that really matters to them.
I just love recording. Wherever or however it needs to happen. I would never want to limit myself by thinking there’s a right and a wrong way to record.




(1) :For more technical info on Ryan's set up visit :  mixonline



dinsdag 31 januari 2017

2nd Europe leg has come to an end.

2 Weeks ago, Joe and Billy, embarked on their second European leg of the 'Shine a light' tour. It ended yesterday in Letterkenny Co. Donegak, Ireland.

Concerts much loved by their audiences. The social importance of it all only grew, for in this 2 weeks, millions of people  have been shaken up, woken up by the harsh reality we live in today. Joe and Billy, have given f.e. their support to the women's march in London, and walked along.



We live in dangerous times, but my heart warms in seeing protests grow against inhuman behaviors. Solidarity is becoming more and more visual in the world again. But, we must not let it slide away.
 
And to put it in Joe's words :

"This is not who we are, this is where we are"

At the Union Chappel show, they were joined by Chas & Dave for Midnight Special. Joe Produced Chas & Dave in 2013.



BBC radio6 aired four songs from the Buxton show. They are worth it, but I think, will not be online forever. (correct me if I'm wrong there). So go over there and listen !
On that subject, I'd like to put in a request to release a live EP, or LP of some important songs, and messages.



Next stop for these 2 will be Australia. 
April 19, 2017 : Sydney Opera House
April 20, 2017 : The playhouse, Canberra
April 22, 2017 : Melbourne Recital Centre
April 23, 2017 : Melbourne Recital Centre

woensdag 25 januari 2017

This saturday some Live tracks from Joe and Billy




This saturday, on BBC Radio 6 there will be an exclusive 4 Livetracks from the 'Shine a Light' show at Buxton Opera House. Tune in on the Tom Robinson Show.

Tune in at 21:00h local time.
Afterwards I'll keep you posted for a possible link to relisten.

Edit : 29 Januari 2017

BBC 6 aired the  following songs
  • Why we Build the wall (B. Bragg)
  • The Midnight Special (J. Henry & B. Bragg)
  • The L&N Don't stop here anymore (J. Henry & B. Bragg)
  • Between the Wars (B. Bragg)

You have 29 days to listen to the stream at BBC6. It starts at 36:50 min.  

I hoped in advance to hear Billy's version of Anaïs Mitchell's 'Why we build the wall', and there it was. Thanks for that. But, I must admit, and here is the Joe Henry fan speaking, I was a bit dissapointed in hearing 2 Solosongs by Billy Bragg , and none by Joe Henry. But no worries, these are great sounding performances. The songs aired are too important these days, not to share. So I guess the only solutions in this matter is airing the enitre show. Because it's too important !




dinsdag 22 november 2016

Shine a light in the UK, it was welcome !


The shine a light tour has passed through the UK like a warm breeze in these cold times.

Me and my wife had the pleasure of seeing the show in Portsmouth. You can read my musings on that show at the entry : Portsmouth, Why we build that wall ?

Tom Langford


I followed their journey a bit on social media, and I found a lot of praise and love for both Billy and Joe. Off course, Billy is already a big star in England, but Joe has won over many hearts. I didn't count the amount of tweets,  (or people I heard in Portsmouth) in the likes of : "I never heard of Joe Henry, But he's great !" 




It was a bit of a sad 2 weeks for musiclovers. Some great people passed away: Leonard Cohen, Leon Russel, Sharon Jones, Allison Mose...
This period reminded me of a quote T Bone Burnett made, when he adressed the press on the re-launch of the Fair Play, Fair Pay act. He spoke about the loss of Prince, Merle Haggard, Glen Frey, and David Bowie. and then he said :
...And this will be happening at a faster rate, as the Golden age of Music comes to an end....


Joe has written some lovely tributes for these losses on his FB page. With Mose Allison he had a closer relationship. He produced Mose Allison his last official album The way of the World .
In the sad news of his passing, Various media had also some acknowledgement for Joe.
 Allison’s final studio album, “The Way of the World,” was released on the British independent label Anti- in 2010. Produced by Joe Henry, who had coaxed him out of semiretirement, it finds him in an autumnal but still trenchant frame of mind, despite plaints to the contrary on the opening tune, “My Brain.” The title track, set at a saunter, has the bittersweet resignation of an old man taking stock of what he’s seen. (Nate Chinen, New York Times)


In an Interview with Mose Allison in 2010, Allison spoke about  Joe :

  • MA: ...I met guitarist-producer Joe Henry in Dusseldorf, Germany. He said at the time that he wanted to record me. I hadn't recorded in about 12 years and I didn’t figure on making any more records.
  • JazzWax: What changed your mind?
  • MA: Joe kept at me and mailed my wife and so forth. I kept putting him off. Finally, I said to myself, Joe has a great reputation as a producer and he’s also a great musician. I eventually came to the conclusion, "Why not?" We recorded at his studio, and I like how it came out. [Pause] Never underestimate the power of relentless persuasion [laughs]. 
 


Back on the road...
...Travelling around, They visited Stocken Prison and donated some guitars for the Jail Guitar Doors program.

...It all starts with Wayne Kramer, guitarist for the legendary punk pioneers the MC5 and onetime prison inmate. His time behind bars inspired The Clash to write  “Jail Guitar Doors,” which in turn inspired British rocker/activist Billy Bragg to start the charitable organization named after the song, which brings musical instruments into prisons for use in rehabilitation...




While Joe was in Europe, It became clear Donald Trump would be the next president of the United States. This, off course, was something that had to be adressed during the concerts. I noticed a lot of tweets passing, of a quote that Joe made during the concerts. That means people embrace that thought. And it is an important one. Not alone for the US, but all around the world. Because it seperates the person who has to endure it from the evolutions we are going through : "This is not who we are, it is where we are"




To end this post

Joe and Billy did an Acoustic Guitar Session. Enjoy it over here. 

Greetings,
Stefan

zondag 20 november 2016

Joe and Billy record "If we make it through december"

Christmas period is arriving.



On November 22,Amazon music will feature a new playlist entitled acoustic Christmas.

Joe and Billy recorded their verison of Merle Hagard's song "If we make it through December". A song that reminds us, that Christmas is not for everyone a happy period. but it can be, in fact a verry tough time of the year to go through. It was recorded at Levon Helm's Barn.

Listen to it in 'avant-premiere' at Folk alley !

If we make it through December
Everything's gonna be all right, I know
It's the coldest time of winter
And I shiver when I see the falling snow
If we make it through December
Got plans to be in a warmer town come summertime
Maybe even California
If we make it through December, we'll be fine

Got laid off down at the factory
And their timing's not the greatest in the world
Heaven knows I been working hard
Wanted Christmas to be right for daddy's girl
I don't mean to hate December
It's meant to be the happy time of year
And my little girl don't understand
Why daddy can't afford no Christmas here
If we make it through December
Everything's gonna be all right, I know
It's the coldest time of winter
And I shiver when I see the falling snow
If we make it through December
Got plans to be in a warmer town come summertime
Maybe even California
If we make it through December, we'll be fine

dinsdag 15 november 2016

Shine a light : Portsmouth, November 12, 2016

Joe Henry and Billy Bragg are on the road, bringing their version of American folk standards which address the railroad. They recorded these songs during a train journey they made together and bundled them on an album Shine a light. During the show Joe suggested to listen to the original, and other memorable versions of these songs through history, and find out the need for such songs in every generation. I assembled for you a playlist to begin with

Portsmouth, Why we build that wall ?

Just before our departure, news of the passing of Leonard Cohen reached us. Although we knew it was coming, it still felt as a shock hearing this news. With that we started our journey in a sad mood. 1 day later, in Portsmouth, Joe would dedicate ‘All Blues Hail Mary’ as a memory to Leonard Cohen.
From the mountain comes a soul
And the stones grow up like trees
Leonard Cohen : A giant of humankind, beauty and art has passed away…
I found it almost symbolic after the victory of Donald Trump that Mister L. Cohen died. Wednesday morning I woke up and heard the news of Trump’s triumph. I think, for the first time I couldn’t honestly comfort my children by saying that everything would be all right. We are facing uncertain times, and it comes as no surprise that politics was a subject that had to be addressed during Billy and Joe’s concert. Maybe today even more than ever. We had an evening full of emotion, and so many songs (if not all) had a relevance concerning today’s society.
(In the heat of writing this review, I wrote my view on it all, the words kept coming. I hope you are willing to read them at this link)

Joe and Billy performed only with their guitar and voice. The concert had the following structure :

Joe and Billy together - Joe's Solo set
- Intermission
Billy's Solo set - Joe and Billy together

In the reality of today’s world we saw 2 very emotional, and even more powerful artists on stage. This is absolutely the concert that people need to hear. A touring statement for more warmth in our society. The message of these people, of this tour is so important! A wake-up call for what’s happening these days. A reminder that we have to stop making the same mistakes as in the past.
That is the most important thing I can tell you about this concert. They played off course wonderful together, and there was also lots of time for good laughing. Their voices filled each other wonderfully, but the magic of that evening, was the emotion in all of it.

Since I am hosting a blog dedicated to Joe Henry; here's for the record :  Joe’s soloset consisted of Trampoline, After the war, Lead me on, All Blues Hail Mary, and freedom for the stallion. That last one, off course, in memory of the late Allen Toussaint, who died 1 year ago.
Freedom for the stallion
Freedom for the mare and her colt
Freedom for the baby child
Who has not grown old enough to vote.
Lord, have mercy, what you gonna do about the people who are praying to you?
They got men making laws that destroy other men,
They've made money "God"
It's a doggone sin,
Oh, Lord, you got to help us find the way.
After the intermission it was Billy’s set, and from the first notes, my wife and I looked at each other overwhelmed with the amazing reaction of the crowd. The energy that was in the room ! Wow ! An entire auditorium ferociously singing these protest songs. It was with Anais Mitchell’s ‘why we build that wall’ Billy slammed everyone to silence with (again) the relevant questions that these lyrics ask us. That was a very strong moment.
After that, came the last song of his soloset,’There is power in a union’.  people not only sang loud with him, but some of them also raised there arm and clenched their fists ! Yes, there really is power in a union. That energy was really contagious, and I figured : “Let him go on a little longer, and we all will go out and start a protest march through the streets for tolerance.” That powerful music can be, 1 man, 1 guitar and a message so important !
Who do we call the enemy?
The enemy is poverty
And the wall keeps out the enemy
And we build the wall to keep us free
That's why we build the wall
We build the wall to keep us free
An amusing moment came when Joe came back on stage, almost on his socks and shyly he mentioned :” Well, euhm…. I don’t have songs like that.” That was a very funny moment. It’s true I think, that Joe has different kind of songs, but that don’t make them any less strong. With his songs and words, he reflected warmth, beauty and compassion to everyone, and I’m quite sure, that everyone will take that warmth home, and spread it towards their family, and that’s something we can build on. That’s why it is so important you must witness this show. During the concert the warmth was already working both ways. The applause Joe got for his songs and words must have been very comforting to him also.
The set continued with songs from the ‘shine a light album’. I don’t think I can give you an accurate setlist of the entire show. The entirety of the evening had more power then it’s units apart. Now how’s that for symbolism...

Oh, and afterwards, there was the moment me and my wife ended up in a 'Billy-Bragg-Fanclub-Group picture'. I must admit, that felt a bit weird, but it was nice to be around such lovely people. And hey, Joe ended up in that same picture.

Time to go home, and be with our kids,
Greetings,
Stefan.


P.S. I had songs in my mind, writing all this. So here is the accompanying soundtrack.


woensdag 9 november 2016

Byron Bay Bluesfest

Joe Henry and Billy Bragg are announced at the Byron Bay Bluesfest in Australia for Monday April 17, 2017.


What an amazing line up this festival has, next to Joe and Billy, I see Neil Young, Rhiannon Giddens, Patti Smith, Trombone Shorty, Bonnie Raitt, Mavis Staples, Gregory Porter, Booker T. .....

wow !
get your tickets !



maandag 31 oktober 2016

Shine a light : summary of radioperformances and interviews

Last week Joe and Billy ended their US tour and next week they'll bring their songs to the UK. (Check out their itinerary) In the meantime they have done some radioshows and interviews. Feel free to add extra input in the comment section below.
Greetings,
Stefan








Some Radio performances :
The Current with Mike Pengra

Recorded in September, but now released : NPR's tinydesk
- Rock island Line
- Hobo's Lullaby
- Midnight Special

The Current with Mike Pengra
- In the Pines
- Railroad Bill
- Gentle on my mind

Joe and Billy played a live radioconcert for KEXP Seattle .
- John Henry
- In the Pines
- Gentle on my mind
- Rock Island Line

Selection of interviews :


If you are interested in some earlier and original versions of these songs, I have made an entry about it. Feel free to listen and add your favorites at the entry ...Music that echoes long since...

maandag 24 oktober 2016

Shine a light : Australian shows announced


Good news for Australia : Today, the Australian leg of the 'shine a light' tour  was announced.

4 shows :
April 19, 2017 : Sydney Opera House
April 20, 2017 : The playhouse, Canberra
April 22, 2017 : Melbourne Recital Centre
April 23, 2017 : Melbourne Recital Centre

According to the websites :
Sydney and Canberra on sale on october 31.
Melbourne on sale on October 27.


zondag 2 oktober 2016

The Joe Henry & Billy Bragg Christmas song coming up...

Had a great time performing at Levon Helms' Barn in Woodstock last night. After the sound check, Joe and I took the opportunity of being on hallow'd ground to record our Christmas song.