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Life in Music inspired by Joe Henry


zondag 22 november 2020

Spanish version of 'Flesh and Blood'

Spanish musician Luis Moro has released this year his 8th album 'Norteamericana aquí'.


 
It is an album with Spanish versions of songs by Calexico, Iron & Wine, Devendra Banhart , Sharon van Etten, Ani Difranco, Wilco, Warpaint, ... and Joe Henry. 

He translated 'Flesh and Bone' from Tiny Voices.  It is entitled  'Carne sangre y hueso'

zaterdag 31 oktober 2020

Come over here, and let me carry you

First day of the Autumn holiday,
First day of our second lockdown.

Hello you all,

A few small things passed by for me these last few days. Maybe it was coïncidence, maybe it had to be. Who knows. 

It gave me the necessity to write this post. 

Feeling more and more worrying people around me, about everything that is going on, I offered them as comfort Birds of Chicago's 'Real Midnight'.

Real midnight’s gonna come
But yeah that’s alright
We will be as the stars
And put holes in the night
In 10,000 years
they’ll see our love shine
When they’re lying on their backs
Looking up through the pines
Lift me up lift me up
Don’t cut
Me down

Suddenly I noticed the connection of this song's task with one of the most beautiful songs in my own language : 'kom hier da'k u draag' by 2 brothers, known as Kommil Foo. Freely translated it means : Come over here, and let me carry you. 

Today, for us over here, I believe it to be the most important song to listen to. And actually, I think the words of this song can also offer comfort to you, dear reader.

So I took the liberty to translate it. (I hope the Brothers Mich and Raf feel OK with this. If not; just let me know). 

So here it is for you : 

For the man who wake's up early in the morning
Who'm life has hit him hard in the face
Who drinks his coffee with courage in despair
Reads his paper, walks his oversized dog -

For the mother on a bike with her child,
Fighting fiercefully against the rain and strong wind,
Who wonders when that long awaited
dreamlife will finally begin.
For the busdriver

For the baker on the corner and his Thai wife
 - Who smiles so beautifully
and talks on and on - but
you can't understand a word she says, even though you try
For the garbagemen behind the truck

For the boys on the subway-
For the worker on the roof eating his lunch

For that man, that brave man
Who refused to hate, although
the biggest injustice was layed upon him

For the poet
Who had to remain silent,
who  had to crawl, but who, in his head,
kept his head up straight all the time
For every Godforgotten drunk
in every Godforgotten bar
who shouts along with the refrain
For the minister and his rest at night
The farmer and his toothache
For the people in the room, each one of you
All of you

Come over here,
And let me press you to my chest
Touch my heart, let me move my hand through your hair
So that I can ask you if you'd like a drink,
coffee maybe, perhaps a glass of wine ? -  and then you can say
You'd rather be left alone,
That's OK - but maybe
you do want to talk

You do want to tell me what's on your mind
What presses your shoulders
Every doubt
Every missed opportunity
Every question you didn't ask
Everything you believed in all those years which you regret today
Every victory, every defeat -

Come over here, and let me carry you -
Come over here, and let me carry you -

For the skinny girl,
For the boy on the bridge -
For the elderly lady with here purse and her back straight up proud

For the neighbour and her incompetence
to simply be content -
For the newborn child who already knows everything
For Marc, who never fiited in, simply
because he tried too hard -

For Mary, Lisa,  For André,
For you

Come over here,
And let me press you to my chest
Touch my heart, let me move my hand through your hair
So that I can ask you if you'd like a drink,
coffee maybe, perhaps a glass of wine ? -  and then you can say
You'd rather be left alone,
That's OK

Or perhaps
You ask me if I'd like a drink
Because maybe I want to talk
I want to share my heart
What presses my shoulders
Every doubt, every missed oportunity
Every question I didn't ask
Everything I believed in all those years and I regret today
Every victory, every defeat -

come over here, and let me carry you -
come over here, and let me carry you -
Original Lyrics : Mich and Raf Walschaerts

 


maandag 7 september 2020

The Working Songwriter

 Listen to a great podcast with Joe Henry.

Joe Pug hosts a monthly conversation with one of today's best songwriters. 

The acclaimed songwriter and Grammy winning producer joins us to talk about his journey and his creative process.

This week's episode is brought to you by Bandzoogle (https://bandzoogle.com) and Coresound (https://coresound.onelink.me/SKgp/13a3994f)

 

dinsdag 21 april 2020

The concert that didn't happen (but maybe it did...?)

Hello Everyone,
Enjoying a nice glass of wine here, enjoying that beautiful full moon. But it’s time to go.

 I put down my glass and make my way out. While crossing; I take one last look at the moon, and then I enter the theater….

When I find my seat, all there is left to do, is waiting for the fading out of the houselights. On stage we already get a preview of what’s to come. There is a microphone in the middle and an empty barseat behind it, accompanied by an equally empty guitarstand. A little off-center a concertpiano is quietly waiting.

Ah, it’s time to begin….

Joe walked on stage with his guitar. He sat down, said good evening to us all and played ‘Salt and Sugar’ as an opener. When he was done, the audience embraced him with so much warmth ! Without saying something we all knew the circumstances on how this song, and his latest album, came to be. It was as if we finally could stop holding our breath. There he was, we had missed him, and kept him in our hearts all this time. There he was…
Joe looked at all of us, and made a little bow.  “ Thank you, I’m even more happy to be back here than ever.” As if he knew what we all were thinking.
‘Bloom’, ‘Orson Welles’ and ‘General Tzu Names The Planets For His Children’ from his latest album followed, with that last one a first highlight of the evening. Wow! Goosebumps, and we are only 4 songs in…. What treats will there be for us the rest of the evening ? 

He moved over to the piano, and first brought us ‘Tomorrow is October’ followed by ‘God Only Knows’. 2 songs that keep standing the test of time, and we will receive more of those further on the evening. Joe kept on moving over the keys, and slowly he turned in to a Jazzclub pianist. His fiddling on the keys referred to Dave Brubeck by shifting into the intro of ‘Strange Meadow Lark’. In the meantime, he told us a story:

You know, when I was kid, I was completely intrigued by Casablanca, the Movie I mean. I was intrigued by the entire atmosphere of it. I wanted to be in Casablanca, not the real one, I didn’t know that off course, No I wanted to be in THAT Casablanca, the only one I knew.
I remember myself hanging over the kitchen table, with my glass of soda water saying : “Off all the gin joints, in all the towns, in all the world, she walks in to mine.” (laughter in the audience) Or, sometimes when I was up in my room I’d say to a wooden puppet on the windowsill: “I think this is the beginning of a beautiful friendship….."

And sometimes I sat at the piano, and said to myself : “play it joe, Play ‘As time goes by’."

And then he did. He gave us a wonderful rendition of that classic written by Herman Hupfeld.

Leaving the Piano, Joe suddenly said: ”Please Welcome on Stage  : Mr JT Nero and Allison Russell of Birds of Chicago!"  Wait!? Did he really say that ?  I knew the answer when they, indeed, walked on stage. What a wonderful surprise ! 
We first got the wonderful ‘In time for Tomorrow’. The more I hear it, the more I find it one of the most beautiful songs Joe has ever written. Especially if you have JT and Alli backing up ! They received a well-deserved warm applause for that.

“I don’t know if you know this”, said Joe, “but they can make music that completely grabs me. If you don’t, I’m maybe a bit jealous for the experience of what you are about to discover”. In which we first heard their ‘Barley’, with the amazing voice of Allison in a lead role, and as last song before the intermission ‘American Flowers’. 
Slowly the curtains closed. Time to get a drink.


When the curtains opened again, there was another surprise for us. We now saw the setup for an entire band. While this sank in, they walked on stage : Jay Bellerose (Drums), David Piltch (Upright Bass), Patrick Warren (Piano) followed by JT Nero (guitar) and Allison Russell(Clarinet, backing vocals, small percussion,…).

“Say hello, to these fine crazy people with me !” They started with ‘Shook up the World’, a song Joe wrote in memory of Muhammed Ali. This followed by ‘Trampoline’.
Slowly the intensity build up, from ‘River floor’, over ‘Death to the storm’, to an impressive ‘The dark is light enough’. 
We could take back our breath with ‘Mule’, ‘The man I keep hid’ and ‘the Gospel according to water’. Just enough to go all the way through the roof with ‘Monkey’, ‘Time is a lion’, ‘Odetta’ and ‘Like She was Hammer’.
"We’ve got one more song for you ":  ‘Eyes out for you’.
We all needed to release tension and gave them a standing ovation!

As a first encore, Joe alone walked over to the piano and played ‘You can’t fail me now’. After that:  Birds of Chicago walked back on stage, and the 3 of them sang as a Gospel, ‘These Days’ by Jackson Brown.
For the last 2 songs, the band came back on stage.

"2 Weeks ago we had to say goodbye to John Prine. Although it was not unexpected, the loss of such mountain hit us hard. He came with a writing voice full-formed and perfectly tuned to his tremulous times; and it has grown deeper and more expressive with years because he had been willing to see us all with an eye as compassionate as it was unflinching. His gentle acknowledgment of our desires and failures was affirming, and made buoyant by forgiveness. Against many odds, we are thus nourished and persuaded to press on — and encouraged to just maybe forgive ourselves too as we go. This is Stormy Windows…"(1)

…And after that, there was only one more. To end the night they performed ‘lead me on’ from Joe’s album ‘Invisible Hour’.


But it was not the end…. We stood up, and just kept on clapping, until finally Joe walked back on stage on his own.

“Thank you all, this is not even a little bit overwhelming. But it is time to lay the evening to rest.
So with this song, I wish you all a good homecoming, and I hope to see you soon. “

The end was for his version of ‘Hobo’s Lullaby’ from his ‘Shine a light’ album with Billy Bragg.

It was indeed, also for us, not even a little bit an overwhelming concert. Thank you for this.


When I walked out of the theater I took one more look at the moon,
… I raise my glass to it…. and said  “That could have been quiet an evening.”
Slowly I start to clean up the table in the garden, and in the end, just before I blow out the last candle I say : “Here’s looking at you kid!”.

Much Love,
Stefan

F
ull setlist :
Salt and Sugar – Bloom – General Tzu…. – Orson Welles – Tomorrow is October – God Only knows – As Time goes by (Herman Hupfeld) – In time for Tomorrow – Barley (Birds of Chicago) – American Flowers (BOC)

Intermission

With band : Shook up the world – Trampoline – River Floor – Death to the Storm – Dark is light Enough – Mule – The man I keep hid – The Gospel according to Water –Monkey – Time is a lion – Odetta –Like She was a hammer – Eyes out for you

Encore 1 : You can’t fail me now (solo) – These Days (Jackson Brown) (With BOC) – Stormy Windows (John prine) (Full Band) – Lead me on (Full Band)

Encore 2 : Hobo’s Lullaby


(1)https://wfuv.org/content/joe-henry-five-essential-john-prine-songs

zaterdag 18 april 2020

How the 'Birds of Chicago' concert could have sounded...

April 18, 2020

Witthout the pandemic; me, my wife and kids would be enjoying A 'Birds of Chicago' Concert, right now !

It would have been a wonderful evening. (Don't worry, it still is a wonderful evening, but we are just at home.)

In my imagination, this is the setlist we would have heard tonight live. (The last song sung by (off course) Allison Russell.

Enjoy.


zondag 29 maart 2020

Behind the scenes of Heath Cullen's upcoming album

Heath Cullen has released a trailer for his upcoming album. The album will be released on April 17. (2 weeks later then earlier mentioned).
Besides producing, we find out that Joe also has written the lyrics for Song that I know on this album.

It was also Joe's first active producing session after the cancerdiagnosis. Like he says himself in the clip : "When you see Heath Cullen, thank him!"


Anyway; I ordered my copy, now it's up to you !










And have you heard Heath's version of Time is a Lion  ?



vrijdag 27 maart 2020

Touring update

Joe's website has posted the updates concerning his tour.


  • The U.S. dates are rescheduled for July and August. 

     

I must admit, seeing the evolution over here in Belgium, I find those dates optimistic. I hope, with you, that by then we all can have a little more 'normal' life.

  • The European tour has been cancelled.

Statement on the official website concerning the European tour :
It will come as no surprise that Joe’s planned European tour dates have all been cancelled. We will be attempting to reschedule as many as we can, but it’s unclear at this point when that will be possible. Stay tuned. And stay safe. 

  • And also Nowhere Else Fest has been cancelled for this year. 





Take care out there...
Take care of Each Other
With Love,
Stefan