zaterdag 21 december 2019
zondag 15 december 2019
The drop, a few images
On december 12, Joe spoke and performed at the Grammy Museum in L.A.
Enjoy some images of that event.
Embed from Getty Images
Enjoy some images of that event.
Embed from Getty Images
zaterdag 14 december 2019
A year in Music : a playlist
I assembled a list of music that sounded through my year. So if you don't know what to put on, maybe this is something to get you started.
I hope you'll enjoy it, and maybe be inspired by it.
Greetings,
Stefan.
- Off Course there is Joe's music, and projects he was involved with. (Rhiannon Giddens, Doug Seegers, ...)
- We've lost a lot of artists this year. Joao Gilberto, Dr. John,... but mostly Larry Taylor got to me.
- When I drive home at night, there is a big chance you'll hear classical music and Jazz in the car.
- and so much more...
I hope you'll enjoy it, and maybe be inspired by it.
Greetings,
Stefan.
donderdag 12 december 2019
'The Fact of Love' in NY Times' top10 songs of the year.
The New York Times has released its 54 Best songs of 2019.
On Lucky n° 7 we find 'The Fact of Love' from Joe's latest album : The Gospel According to Water.
The NY Times wrote about this song :
Jason Isbell presented us this song as : Beautifully performed and recorded. Really interesting guitar playing and a smart and tender lyric.
It's wonderful to see Joe's work so appreciated ! You deserve this, and so much more !
The top 10 :
1. Lizzo : 'Cuz I love you'
2. FKA Twigs : 'Cellophane'
3. Burna Boy : 'Anybody'
4. Tame Impala : 'It might be Time'
5. Nick Cave & the Bad Seeds : 'Bright Horses'
6. Angel Olsen : 'Lark'
7. Joe Henry : 'The Fact of Love'
8. Khalid : 'Talk'
9. Clairo : 'Bags'
On Lucky n° 7 we find 'The Fact of Love' from Joe's latest album : The Gospel According to Water.
The NY Times wrote about this song :
His lyrics are full of perfectly enigmatic quatrains, like the opening verse of a song on the new album, “The Fact of Love”: “My eyes are closed but they are raised/Keeping light both out and in/I will walk this river, dazed/Without a trace that I have been.”
Jason Isbell presented us this song as : Beautifully performed and recorded. Really interesting guitar playing and a smart and tender lyric.
It's wonderful to see Joe's work so appreciated ! You deserve this, and so much more !
The top 10 :
1. Lizzo : 'Cuz I love you'
2. FKA Twigs : 'Cellophane'
3. Burna Boy : 'Anybody'
4. Tame Impala : 'It might be Time'
5. Nick Cave & the Bad Seeds : 'Bright Horses'
6. Angel Olsen : 'Lark'
7. Joe Henry : 'The Fact of Love'
8. Khalid : 'Talk'
9. Clairo : 'Bags'
10. Angelica Garcia : 'Jícama'
dinsdag 10 december 2019
'There is no other' concert in Belgium (And the fragility of it all)
Rhiannon Giddens & Francesco Turrisi made an incredible album entitled 'There is no Other'. It was produced by Joe.
Last weekend the 'There is no other' Tour came to Belgium. It will not surprise you, it was a concert I couldn't miss.
I have seen Rhiannon play a few times over the last few years, and it was again a joy to hear her sing, and see her perform. It was, as always, a privilege to enjoy her music, her storytelling, her wisdom, Grace and joy. Off course this time, I got to see and hear Francesco Turrisi also perform live. The fact that he is an incredible musician is already documented on their (and other) album(s). It is even more incredible to see him perform. You'll never find the Tambourine a simple instrument to play after you've seen this. (And I think Freddy Mercury is verry proud a 'Queen' song made it in to the set).
But besides that, we also got to know Francesco Turrisi, the Entertainer. It was wonderful to hear his stories and funny anecdotes. And Yes! I do hope that projector will be arranged next time you come over. (Just kidding of course).
Jason Sypher exquisitely completed them on Upright Bass. Like Rhiannon told us : "It is not easy to explain a trio in a duo-show".
Anyway, Rhiannon advised us, for our own good health, to take a walk during intermission towards the merchandise table, and off course I'm a good boy...
In my albumreview I wrote about seeing and hearing those songs in a more 'formal' enviroment. Yes, I did got to sit in a soft red seat, and I really had all those lovely people around me. But then the path of reality and fantasy took different directions. And it was a wonderful reality we received. But that evening, that reality, also displayed for me once again, the fragility of live performances. (Whether it is music, dance, theater, .... ).
I deliberately say 'for me', because these are all thoughts that go through my mind. So, it's OK if I've lost you from here on in this post.
The music we received on sundayevening can not be ordened in a specific box. Like Rhiannon also explained us, they try (and succeed) to blend so many forms of music. Not only Popular, but also f.e. Opera and so on.
I'm sure, for an artist, it is important to surround that Art with all those same intentions. Just like trying to give the right surroundings to your children.
And then you go on tour...
You step in to a van, and a part of your Art becomes dependent on the circumstances of the places you visit. Take for example a Chef who spreads his own reccipe around the world, but the final spices are left open to choose by whomever cooks the dish.
It is only those, who truly understand the recipe, and the intentions of the Chef that will choose the perfect spices. That will make the difference between receiving that great meal, and receiving, as if it was cooked in heaven.
I don't think we (I speak in name of my Country) could offer the circumstances to Rhiannon, Francesco and Jason that emphasised their Art on sunday. I'll leave the details of that for when we can talk in real life, but subtleness is not helped with standard services.
To worsen it all : After the break, 2 loud feedbacks occured through the monitor, within 2 minutes. Just when Francesco started playing the piano, a loud noise shot out of his monitor. For us, it was even loud! How it must have been for him, sitting only 1,5m away from it.... He literally jumped 2 meters back. As if he felt the need to justify his reaction towards the audience, he explained how dangerous that can be for your hearing. But Francesco : "There was no need to explain it. It is indeed dangerous."
(It is only fair to mention that I am working almost my entire professional career now, on the technical side of entertainement, so I have the advantage of that extra knowledge, in comparison to the bigger part of the audience.)
Naturally, when this happen to you, as a musician, you are thrown out of balance. You have to regain your trust in the equipment around you, and the people handling it. It affects your performance. But also the audience itself feels it. We all know technical stuff can provide technical issues, but suddenly we are verry aware of it, and it takes a while to forget about the practical side of shows again. The atmosphere in the room has to be rebuild again...
That's why I think, 'I'm on my way' didn't have the power it can have.
That's why I think we didn't spontaneously jump up, clap our hands, and sing along with the last song.
It is all so fragile.....
Rhiannon, Francesco and Jason : "Don't let it come to your hearts. I am looking forward to seeing you again. You are one of the best !"
With Love,
Stefan.
Last weekend the 'There is no other' Tour came to Belgium. It will not surprise you, it was a concert I couldn't miss.
I have seen Rhiannon play a few times over the last few years, and it was again a joy to hear her sing, and see her perform. It was, as always, a privilege to enjoy her music, her storytelling, her wisdom, Grace and joy. Off course this time, I got to see and hear Francesco Turrisi also perform live. The fact that he is an incredible musician is already documented on their (and other) album(s). It is even more incredible to see him perform. You'll never find the Tambourine a simple instrument to play after you've seen this. (And I think Freddy Mercury is verry proud a 'Queen' song made it in to the set).
But besides that, we also got to know Francesco Turrisi, the Entertainer. It was wonderful to hear his stories and funny anecdotes. And Yes! I do hope that projector will be arranged next time you come over. (Just kidding of course).
Jason Sypher exquisitely completed them on Upright Bass. Like Rhiannon told us : "It is not easy to explain a trio in a duo-show".
Anyway, Rhiannon advised us, for our own good health, to take a walk during intermission towards the merchandise table, and off course I'm a good boy...
In my albumreview I wrote about seeing and hearing those songs in a more 'formal' enviroment. Yes, I did got to sit in a soft red seat, and I really had all those lovely people around me. But then the path of reality and fantasy took different directions. And it was a wonderful reality we received. But that evening, that reality, also displayed for me once again, the fragility of live performances. (Whether it is music, dance, theater, .... ).
I deliberately say 'for me', because these are all thoughts that go through my mind. So, it's OK if I've lost you from here on in this post.
The music we received on sundayevening can not be ordened in a specific box. Like Rhiannon also explained us, they try (and succeed) to blend so many forms of music. Not only Popular, but also f.e. Opera and so on.
I'm sure, for an artist, it is important to surround that Art with all those same intentions. Just like trying to give the right surroundings to your children.
And then you go on tour...
You step in to a van, and a part of your Art becomes dependent on the circumstances of the places you visit. Take for example a Chef who spreads his own reccipe around the world, but the final spices are left open to choose by whomever cooks the dish.
It is only those, who truly understand the recipe, and the intentions of the Chef that will choose the perfect spices. That will make the difference between receiving that great meal, and receiving, as if it was cooked in heaven.
I don't think we (I speak in name of my Country) could offer the circumstances to Rhiannon, Francesco and Jason that emphasised their Art on sunday. I'll leave the details of that for when we can talk in real life, but subtleness is not helped with standard services.
To worsen it all : After the break, 2 loud feedbacks occured through the monitor, within 2 minutes. Just when Francesco started playing the piano, a loud noise shot out of his monitor. For us, it was even loud! How it must have been for him, sitting only 1,5m away from it.... He literally jumped 2 meters back. As if he felt the need to justify his reaction towards the audience, he explained how dangerous that can be for your hearing. But Francesco : "There was no need to explain it. It is indeed dangerous."
(It is only fair to mention that I am working almost my entire professional career now, on the technical side of entertainement, so I have the advantage of that extra knowledge, in comparison to the bigger part of the audience.)
Naturally, when this happen to you, as a musician, you are thrown out of balance. You have to regain your trust in the equipment around you, and the people handling it. It affects your performance. But also the audience itself feels it. We all know technical stuff can provide technical issues, but suddenly we are verry aware of it, and it takes a while to forget about the practical side of shows again. The atmosphere in the room has to be rebuild again...
That's why I think, 'I'm on my way' didn't have the power it can have.
That's why I think we didn't spontaneously jump up, clap our hands, and sing along with the last song.
It is all so fragile.....
Rhiannon, Francesco and Jason : "Don't let it come to your hearts. I am looking forward to seeing you again. You are one of the best !"
With Love,
Stefan.
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